Figure Representing Ugonachonma (The Eagle Seeks Out Beauty)

Origin: Igbo Tribe, Nigeria
Composition: wood, pigment

This old figure has significant evidence of age and use consistent with the ritual utilty the piece has within its tribal cultural context. According to "A History of Art In Africa" (Visona, page 289 with photo), this piece is from the central Igobo region and represents Ugonachonma (translated as “The Eagle Seeks Out Beauty”). It possesses a sophisticated, attractive three-part coiffure and a long neck (considered a feature of a beautiful young woman), with scarification (also for beauty).

Following in the background given on this piece, “Ugonachonma served as centerpieces for largely secular-age grade dances.” Young, beautiful maidens are thought to be associated with eagles, as the maidens are praised as “eagle’s kola” after the prized kola nut shared at Igbo ceremonies (Visona, pg. 289).

The Igbo occupy the present east central state of Nigeria and parts of the present mid-western state. The Igbo speak a common language, but with different dialects. Most Igbo traditionally live in scattered villages, which form the basic social units, cosmologically, they believe in the existence of the Supreme Being whom they call Chuku or Chineke. There are other minor deities under him, Anyanwu (The Sun), Iwa (The Sky) Ale (The Earth). Ale, the most important minor deity, is connected with ancestors-Noiche and Ajoku, the divinity associated with Yams. The ancestors usually appear as masked dancers (Mmuo) who dance during festivals and funerals (Reference: Lois Woods Museum).